The project was evolved as a response for a competition call, by Collect, the annual craft fair in London, under the category of building an original crafty installation in one of its spaces.
As I understood more about inflatables after Take My Hand project, I was enthusiastic about them, their potential and advantages.
I was also keen to develop a unique Orchids holder, as the flowers are so very popular.
A fresh take on Beauty in architecture is evolving from the focus on human wellbeing as an important element of sustainable ecosystems, augmented by findings in neurobiology: When we look at things we consider to be beautiful, there is a great deal of dopamine in the pleasure reward centres of the brain, the ‘feel-good’ transmitter, explains Semi Zeki.
Apparently, Beauty is an essential part of our neurobiological make-up. That goes well with the fact that good architecture tends to be judged by its capacity to produce an aesthetic experience, yet architectural design for years was often neither led by nor generated through a process engaged with aesthetical issues or led by visual thinking.
As an architect I believe that plants should become an integral part of indoors life.
The ambition in this indoors installation I proposed here was to enhance human’s wellbeing, by merging elements together related to beauty.
Merging the beauty and health factor of real flowering plants together with capturing the beautiful form of a unique petal, while turning it to a large light object must affect people positively, and that was my ambition in this specific project.
The installation is designed for flowers to be placed elegantly and work as an independent sustainable unit. It merges two main elements together, an inflatable light and a display of 12 Orchids plants.
Each element can work separately as well, as one can see through the images displayed.
The inflatable petal – a free standing object that lights its surrounding - was created by first capturing - through a 3D digital special scanning procedure - the tenderness of a selected live rose petal.
The display of real exotic flowers – a mix of twelve orchids – is held by specially designed set of pockets and sticks, irrigated by an automatic recycled sprinkling water system, and is lit by the inflatable petal, which acts as a background for the flowers’ space.
The installation was built as part of the 300 years celebration of the annual Catalan Freedom Festival. The inflated canopy is in the form and colour of the Universal Human Rights’ Logo, and was the main lead to the installation’s design and one of the spatial elements that helped in celebrating the Civil Weddings at this beautiful and important square. Placa de la Merce, Barcelona’s old city, summer 2014. Photo by Marcella Grassi.
Yael Reisner, Director
Fernando Arocha, Architect
Renders by Elin Daun, Architect