The canopy that defined the celebratory space in the square, while shaded it from the sun ā was itself in the form and colour of the Universal Human Rights new Logo ā established as a symbol to remind the world of these fundamental rights in any civilised society.
That unique logo was designed for that project as a three dimensional large inflatable structure, in the tradition of festivals and street parades and along with its practical roles. The original Two-D-Logo wasĀ designed by Predrag Stakic of Serbia and combines the shape of a hand with that of a bird. It was the winning design of an international competition taking place in 2011, and since then it became the universal logo of human rights, available to everyone at no cost as an open source product for the promotion and protection of human rights.
The inflatable was suspended above the square, tethered and supported with cables hanging it from the surrounding buildings, as well as anchoring it to the ground.Ā Ā The shadow of the human rights unique symbol, moved through the square as the sun moved in the sky, protecting people from the hot sun in summer, as well as alluding to its role in society.
Thus the two tenets of democratic behavior ā the personal and the societal were brought here together, taking the celebration from the registration hall out into the one of the most precious and loveable square ā Placa de la Merce ā in the old city of Barcelona.
The project's authorship
In August 2013 Benedetta Tagliabue ā on behalf of the Foundacion Enric Miralles and the City of Barcelona ā invited Yael Reisner and Peter Cook to design an installation as one out of seven installations, celebrating the 300 years for the annual Catalan festival of Freedom in Barcelona, under the theme of Democracy, placed at the square Placa de la Merce.
Following some political hiccups in early December 2013, the school of architecture, which had to be involved with that very installationās design process and building, left the project, and was substituted, by January 2014, with the local collaborative group Straddle 3.
Due to that change of the collaborative partner, by January 2014 Yael Reisner started the design anew in the context of Yael Reisner Studio, expecting Peter Cook to join in.
Yet, as it happened, the design in Yael Reisner Studio continued to be developed with Reisnerās team, and though Cook and Reisner were both contracted to design the project together, that momentum stopped in December 2013, when the assigned school left the picture.
Ten days before the opening, on the 1st of June 2014, Peter Cook sent an official letter about the projectās authorship to the production team at the Enric Miralles Foundation:
Benedetta Tagliabue ā on behalf of the Fundacion Enric Miralles and the City of Barcelona ā invited Yael Reisner and I to design the installation for Placa de la Merce, Barcelona.
Yael reacted to the challenge of this evocative Mediterranean space and its romantic atmosphere, immediately and positively. It is faced on one side by a historical church that holds many Catholic weddings and on the other by the office of Registration: where civil weddings take place.
Moreover, the theme assigned to the installation was related to Democracy. Yael quickly made the connection between the two and hit upon the concept of incorporating the universal symbol for human rights and then conducting civil weddings under it.
So from the first her understanding of the context, conceptual idea and all the subsequent design work has been hers. She has run with it and my only contributionĀ āĀ the titleĀ !
Peter Cook, 1 June 2014
Nevertheless, it was explained to us by the Enric Miralles Foundationās production team, that this letter arrived after the files were sent already to the press, and it was suggested to credit the project in the future and on their website in the form of :Ā Yael Reisner with Peter Cook.
Indeed, the installationās title āĀ Take my HandĀ ā was Cookās great idea, and Reisner added to it:Ā Rights and Weddings.
Ā
