The curatorial topic was selected from the international open call for the 5th installment of TAB. The winning entry was proposed by Dr Yael Reisner and Johanna Jõekalda.
TAB is organised by Estonian Centre for Architecture.
Beauty: a critical determinant in the progress of civilisations. Semir Zeki, Neuroscientist
In celebrating beauty in architecture, after some eight decades of denigration, Beauty Matters aims to elevate the status of beauty and its role in exploring new aesthetics through the lens of habitation.
Architecture, like poetry, or music, has the power to speak both to individuals and society, nurturing and preserving their differences, whilst acknowledging their similarities and giving identity to shared culture.
Exhibitors from Estonia and around the world were chosen for their diverse palette of agendas and aesthetics, together they introduce a contemporary, pluralistic approach to the experience of beauty, a creation by individuals for their fellow individuals, as beauty is not a singular idea.
The exhibition brings to the fore two of today’s burning issues – aspiring to beauty, and habitation – presenting positive alternatives to alienating and ecologically unfit built environments.
These nine installations form a street in the main exhibition space, with injections of woodland as a prevalent feature of the urban landscape. Each installation is a segment of a larger habitation project, which can be seen projected above at mezzanine level.
Now, imagine this street…courier robots deliver goods, while residents walk or transit on scooters, bicycles and local trams, and drones fly high above.
The Curatorial Exhibition’s Plan. Entry through the birch trees walk, leading to ‘the street’. The 9 installations – segments of larger habitation projects screened at the mezzanine floor above – 5 installations at the upper row, starting from the left: Sou Fujimoto, Space Popular, Paula Strunden ‘above in plan’ Atelier Manferdini, and soma architecture. At the end of the street, a background side to side B&W photo by Andre Maasik. 4 more installations at the lower raw, starting from the left: Kadri Kerge, Barnaby Gunning & Yael Reisner, March Studio, and KTA.
The Curatorial Exhibition at the Estonian Museum of Architecture, Tallinn – The ‘Street’ view with the 9 Installations at the main level, whereas at the upper level each habitation project proposal was screened and explained at greater length. Photo by Tõnu Tunnel.
Kadri Kerge, (Tallinn / NYC), Beauty-ful(l) Life, Photo by Tõnu Tunnel.
Installations from the right designed by: Kadri Kerge(Tallinn/NY)-Beauty-Ful(l) Life, Barnaby Gunning & Yael Reisner(London)-Growing Habitat, March Studio(Melbournetransoccupation, KTA(Tallinn)-The Utopian Tick, Andre Maasik’s enlarged B&W photo of a birch forest, becoming part of the ‘Street’. Photo by Tõnu Tunnel.
Barnaby Gunning & Yael Reisner, (London), Growing Habitat, Photo by Evert Palmets.
From the right: Space Popular(London), Barnaby Gunning & Yael Reisner(London), March Studio(Melbourne), Atelier Manferdini(LA)- Wall Flower, KTA(Tallinn), soma architecture(Innsbruck/Vienna)-Temporal Architecture, Andre Maasik’s photo. One can see, through many of the photos here, the screens at the mezzanine floor above, showing further description of each habitation project. Photo by Tõnu Tunnel.
From the right: Atelier Manferdini(LA)- Wall Flower, Barnaby Gunning & Yael Reisner(London), March Studio(Melbourne), Photo by Tõnu Tunnel.
March Studio, (Melbourne), Transoccupation. Photo by Evert Palmets.
Left – soma architecture(Innsbruck/Vienna)- Temporal Architecture, Right-KTA(Tallinn) – The Utopian Tick, Backdrop – Arne Maasik’s hanging enlarged printed photo on textile of Birches forest, Estonia. Photo by Tõnu Tunnel.
soma architecture Right-KTA(Tallinn) – The Utopian Tick, Backdrop –. Photo by Tõnu Tunnel.
Backdrop – Arne Maasik’s hanging enlarged printed photo on textile of Birches forest, Estonia. Photo by Tõnu Tunnel.. Photo by Tõnu Tunnel.
soma architecture(Innsbruck/Vienna)- Temporal Architecture. Photo by Tõnu Tunnel.
soma architecture, (Innsbruck / Vienna), Temporal Architecture. Photo by Evert Palmets.
The Talking Trees of Tallinn, a VR Experience and a location-based, mixed reality display – VR/MR experience – inviting the viewer to interact with six projects out of eight exhibited at the curatorial exhibition. Perceived and designed by Paula Strunden (Amsterdam), with Yael Reisner. Photo by Tõnu Tunnel.
The talking trees of Tallinn, a VR / MR installation by Paula Strunden,(Amsterdam). Photo by Evert Palmets.
From the right: Sou Fujimoto(Tokyo) – Open Cave, Space Popular(London) – The Venn Room, (an AR Installation), Paula Strunden(Amsterdam) -The Talking Trees of Tallinn, (an AR/MR installation), Photo by Toño Tunnel.
Sou Fujimoto(Tokyo)- Open Cave. Photo by Evert Palmets.
Side view of the Curatorial Exhibition at the Estonian Museum of Architecture. Looking from the Birch trees’ woodland part of the Street, at the exhibition’s entrance, The nearest installation to us here is Sou Fujimoto(Tokyo)- Open Cave. Photo by Tõnu Tunnel.
Kadri Kerge, Beauty-ful(l) Life. Photo by Evert Palmets.
Kadri Kerge, Beauty-ful(l) Life. Photo By Tõno Tunnel.
Barnaby Gunning & Yael Reisner, Growing Habitat, Photo by Evert Palmets.
Barnaby Gunning & Yael Reisner, Growing Habitat, Photo by Evert Palmets.
Atelier Manferdini, (LA), Wall Flower, AR installation, Photo by Evert Palmets.
Atelier Manferdini, Wall Flower, AR installation, Photo by Evert Palmets.
Indrek Must,(Estonian scientist) with Yael Reisner Studio, Grow Grow. Photo by Evert Palmets.
March Studio, Transoccupation, Photo by Evert Palmets.
March Studio, Transoccupation, Photo by Evert Palmets.
soma architecture, Temporal Architecture. Photo by Evert Palmets.
Sou Fujimoto, Open Cave. Photo by Evert Palmets.
The habitation unit is a new but primitive house. SFA’s segmentbecomes an open system that identifies the mass and the space, establishing new connections between inside and outside.It is a proposition for the habitation of tomorrow, whereby conventional floors and building envelope disintegrate into continuous open landscape. In this way, the floor becomes wall, the wall becomes ceiling, the ceiling becomes furniture, the furniture becomes architecture, and architecture becomes landscape. Consequently, the open cave has no specific predefined area.
Interweaving different kinds of growth from the integration of plant life to the formation of living spaces. Deliberately generous in volume, valuing continuity of space from the private and cozy, to the public. The flowering collars emerge from each of the pure-wool felt drape, and blur the boundary between exterior and interior. Planting is deeply integrated, from a hydroponic ‘magic garden’ to a naturally and artificially lit semi-external ‘potting shed’ for ‘grow your food’ garden.
Nature is a silent but powerful protagonist of Atelier Manferdini artwork for the Tallinn Architecture Biennale. Wall Flower challenges a notion of Nature as a classical source of inspiration for beauty and wants to put to forefront an expanded, hybrid notion of Nature that does not yield to clean judgments or bottom lines about what is living or non-living, organic or technological, true or synthetic.
The floral landscapes become alive through the use of Augmented Reality and trigger the curiosity and the interaction both physical and visual of the visitors. Wall Flower is a landscape painting for the digital age: ever-shifting in relation to the viewer.
The panel installed above ‘Wall Flower’ , and not related to, but about robots that are inspired by plants’ behaviour. A pneumatically driven artificial biomimetic 12 tendrils that curl and coil like a Passiflora climbing plant. The installation is based on a collaboration of the scientists: Indrek Must, an Estonian materials technologist, Barbara Mazzolai, a biologist, and Edoardo Sinibaldi, an aerospace engineer, both Italians. Plant-inspired robotics has been introduced by European Union funded projects “plantoid”and “Growbot”.
The introduction of virtual portals in the home – such as the television, the computer or the smartphone – has had considerable consequences in our day to day but has left the architecture of the home pretty much untouched.
The Venn Room by Space Popular depicts a series of possible scenarios of cohabitation in which issues of integration, interface, exposure, overlap, representation, storage and ownership in the augmented future for our domestic environments are put into perspective through everyday narratives.
The VR Experience The Talking Trees of Tallinn is a location-based, mixed-reality display inviting the viewer to interact with six projects out of eight exhibited at the curatorial exhibition. Immerse yourself in the Open Cave by Sou Fujimoto, Transoccupation by March Studio, Beauty-Ful(l) Life by Kadri Kerge, Growing Habitats by Yael Reisner & Barnaby Gunning, Temporal Environment by soma architecture, and the Utopian Tick by KTA. Six mixed-reality peepholes triggered by “tactile objects” give virtual entry to six imaginary habitations and invite the viewer to engage with a new form of embodied architecture.
Trailer by Paula Strunden, where its soundscape was composed by Nathan Tulve and Jakob Tulve. ( The brothers Tulve were the musicians who composed the TAB 2019’s Curatorial Exhibition’s soundscape. They created; a 30min. cycle that went along the 30min. sunset light cycle set up at the exhibition, as two atmospheric enhancers.)
For soma architecture, design is a prognosis about future lives and realities. Buildings are never finished but reorganized, altered and transformed. If we observe the city from far distance in rapid motion we would get a completely different understanding of its nature: a living habitat that is neither monumental nor permanent. The installation by soma is an excerpt of an evolving structure that is overgrowing and transforming the abandoned Linnahall in Tallinn.
The project is designing new type of living space for special social condition – apartment for the modern binuclear family. A complex geometry for interrelated spatial program, creating links between private, common and shared space. A therapeutic space helping to live more beauty-ful(l) life, supporting the family’s everyday needs and (complex) relationships with each other.
Tick is an arachnid that latches upon warm-blooded animals. This parasite has attached itself to the beautiful modernist block. It is covered with sprayed insulation which has spread like an infection over the existing housing block. The installation is a happy reunion of at least 3 utopias – the utopia of modernist housing, the utopia of energy-efficient reconstruction and the utopia of vernacularity.
This project is simultaneously an investigation into a 1:1 plywood box truss (the segment) and a 1:10 structural system for a tower (the whole). The work continues a wider body of research undertaken by March Studio where materials, technology, and structure are used to explore disorderly form in order to propose new opportunities and architectural typologies. In the case of Transoccupation, we propose a new, interchangeable residential tower which is more akin to a vertical village than a typical extruded Tower model.
TAB 2019’s Curatorial Team: Head curator Yael Reisner (middle), and the two Assistant curators: Barnaby Gunning(left), and Liina Soosaar(right).Photo by Photo by Evert Palmets
TAB 2019's Head Curator:
Yael Reisner
Curators assitants:
Barnaby Gunning & Lina Soosaar.
Curatorial Exhibition's design:
Yael Reisner with Barnaby Gunning
Head partner:
ABB, with the supportive Katrin Foerster as its International Key Account Manager Architects.
Producers:
Eve Arpo, Maria Kristiin Peterson, Estonian Centre for Architecture
Exhibitors:
Sou Fujimoto Architects, March Studio, Kadri Kerge, soma architecture, Barnaby Gunning and Yael Reisner, Space Popular, Elena Manferdini, Kadarik Tüür Architects, Paula Strunden, Arne Maasik, Indrek Must. Soundscape: Nathan Tulve, Jakob Tulve
Graphical Design:
Stuudio Stuudio
Building support:
PART
Headline Partner:
ABB
Virtual Reality Partner: HTC VIVE:
HTC VIVE